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Tough room Wards – the tooth fairy may have fared better :)
The review by Dr. David Rich for The Sensible Sound peaked my interest way back – I’m a fan of any writings by Rich in particular those from The Audio Critic as contributing technical editor.
This has been of interest for the last year for its continuous soundstage – the person who might share firsthand experience is Wardsweb – I believe he was among the first to audition the piece through his association with Bongiorno back in 2003 although I’m not aware of much discussion as of...
I see now – you’re referring to a single absorber at the ceiling - similiar to photo.
If this is the case then you might want to play somewhat heavy bass content while taking readings with an SPL meter at the listening position - then move in on the proposed spot/corners with the meter still...
Towen7 ... Sorry I might have misunderstood your ‘benefits curiosity’ statement – are you planning on building more floor/ceiling traps – or are you wondering whether they are worth the extra build? – regardless your reflection builds are all good – unfortunately in my experience it’s not until...
You may need to read some articles on the subject – below is a simple quote from GIK plenty more articles available from all sellers of such.
“Is there something magical about corners? Yes, sort of. Low frequency pressure builds up wherever there is a boundary. Each room dimension has 2...
I used to have lingering bass frequencies in the 75/80 Hz regions in the audio section which is in the opposite side of the room – the two absorbers flanking the monitor plus a much denser 2’x3’ on the floor behind the HT rack which you don’t see are specifically aimed at curbing these...
Sorry Rope I just saw this now.
The four Chunk Corners are 34" wide and were built upwards from the baseboards in the event of future carpeting – the space below the baseboards was later filled with similar triangles wrapped with two layers of construction poly sheeting same as the facing on...
Adding another little tidbit I came across sometime past: "I worked as an intern for Crown International (the power amplifier company) for a summer. They're owned by parent company Harmond International and design amplifiers for other companies including Mark Levinson.
The Mark Levinson amps...
Size does matter if you’ve been told otherwise she’s lying.
For me Scale and Soundstage are important when reproducing large symphonies – in my experience on the subject of Scale and symphonies: In order to achieve the full Scale experience I’ve come to the conclusion that a larger listening...
Rope ... I concur the variables are many – the effects of the source components was an eye opener – FWIW according to the calibrator the last batch of the 141's were slightly different than previous models making the calibrators target just shy of the intended goal – in his experience the older...